somewhere i have never travelled,gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously)her first rose
or if your wish be to close me,i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain, has such small hands
e.e. cummings
Commentary: I’ve loved this poem for a long time, lost it, and found it again. When I was in California, I went to the Benicia Library Booksale, and this poem was in one of several poetry collections I gathered up … I think my aunt, Cheryl, introduced me to e.e. cummings. Reading his poetry always makes me want to write without capitalization, as if everything were being whispered, and with funny punctuation, asifwordswerenotseparateandeverythingtheyexpresswere intimatelyclosetogether. (for me, the first line, the seventh line, and the last line … areallverybeautiful.)
[…] posted about e.e. cummings before (i thank You God for this most amazing and somewhere I have never travelled gladly beyond), but I thought I would re-post these two (two of my favorites) and some others that I love so that […]
Reblogged this on JACKIE LEA SOMMERS and commented:
One of my favorites. I was so grateful to get permission to use the last line in my novel. ❤
As Silas says in Truest: "I still think I’ve never read anything better than that. The morning I first read it, I went into some kind of shock,” he said. “I hadn’t known anything could be so … delicate and flabbergasting at the same time. It’s the line that made me want to write.”
I agree that the words are not separate, and that everything they express is intimately close together. Which is why I can’t say I have a favourite line, unless it’s a complete line composed of two lines, or, preferably, the whole stanza. I find the middle three stanzas very powerful, and in the last stanza, the line “(i do not know what is is about you that closes and opens, only something in me understands the voice of your eyes is deeper than all roses)”.